Their angelical understanding . E’ ricca di momenti emozionanti e frasi come questa: “This is a place of shelter for all kinds of broken things.”. Oppure questa: “The sea.
Don Giovanni - Wikipedia. For the asteroid, see 5. Zerlina. Don Giovanni (Italian pronunciation: . Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, namely Don Giovanni or The Libertine Punished) is an opera in two acts with music by Wolfgang Amadeus Mozart and Italian libretto by Lorenzo Da Ponte. It is based on the legends of Don Juan, a fictional libertine and seducer. It was premiered by the Prague Italian opera at the Teatro di Praga (now called the Estates Theatre) on 2. October 1. 78. 7. Mozart entered the work into his catalogue as an opera buffa. Although sometimes classified as comic, it blends comedy, melodrama and supernatural elements. A staple of the standard operatic repertoire, Don Giovanni is currently tenth on the Operabase list of the most- performed operas worldwide. Reports about the last- minute completion of the overture conflict; some say it was completed the day before the premiere. More likely it was completed the day before, in light of the fact that Mozart recorded the completion of the opera on 2. October. The composer also specified occasional special musical effects. For the ballroom scene at the end of the first act, Mozart calls for two onstage ensembles to play separate dance music in synchronization with the pit orchestra, each of the three groups playing in its own meter (a 3/4 minuet, a 2/4 contradanse and a fast 3/8 peasant dance), accompanying the dancing of the principal characters. In act 2, Giovanni is seen to play the mandolin, accompanied by pizzicato strings. In the same act, two of the Commendatore's interventions (. The work was rapturously received, as was often true of Mozart's work in Prague, (See Mozart and Prague). The Prager Oberpostamtzeitung reported, . For this production, he wrote two new arias with corresponding recitatives . April 2. 4 for the tenor Francesco Morella), Elvira's aria . April 3. 0 for the soprano Caterina Cavalieri). April). He also made some cuts in the Finale in order to make it shorter and more incisive, the most important of which is the section where Anna and Ottavio, Elvira, Zerlina and Masetto, Leporello reveal their plans for the future (. These cuts are very seldom performed in theatres or recordings. Nonetheless, the final ensemble is almost invariably performed in full today. Modern productions typically include both of Don Ottavio's arias, both the original . YTP Art Attack: Giovanni Muciaccia ama mungere i tubetti di colla vinilica - Duration: 4:16. Not to Mess With 715,039 views. IMMAGINI: Elledici: disegni di Nino Musio / fotografie di Andreas Lothar 1 La casa del paesino di Capriglio in cui . 2 Giovanni Bosco crebbe sotto la guida. Mi tradi per l'alma ingrata. He is keeping watch while Don Giovanni is in the Commendatore's house attempting to rape or seduce the Commendatore's daughter, Donna Anna. Don Giovanni enters the garden from inside the house, pursued by Donna Anna. Don Giovanni is masked and Donna Anna tries to hold him and to unmask him, shouting for help. He breaks free and she runs off as the Commendatore enters the garden. Composta fra l’ottobre del 1785 e l’aprile del 1786, Le nozze di Figaro di Wolfgang Amadeus Mozart, . In occasione dell'uscita di iPhone 7, i massimi dirigenti Apple si sono messi in coda davanti al cancello del ranch di Chuck Norris sperando di potergliene donare uno al day one.(spedita da gabri). Il 27 gennaio il mondo ha celebrato il compleanno di Mozart, inaugurando il 2006 come l’anno mozartiano. Al grande compositore dedichiamo questo saggio sul Don Giovanni, che insieme alle Nozze di Figaro costituisce una. The Commendatore blocks Don Giovanni's path and forces him to fight a duel. Don Giovanni kills the Commendatore with his sword and escapes with Leporello. Donna Anna, returning with her fianc. She makes Don Ottavio swear vengeance against the unknown murderer. They hear a woman (Donna Elvira) singing of having been abandoned by her lover, on whom she is seeking revenge (. Don Giovanni starts to flirt with her, but it turns out he is the former lover she is seeking. The two recognize each other and she reproaches him bitterly. He shoves Leporello forward, ordering him to tell Donna Elvira the truth about him, and then hurries away. Leporello tells Donna Elvira that Don Giovanni is not worth her feelings for him. He is unfaithful to everyone; his conquests include 6. Italy, 2. 31 in Germany, 1. France, 9. 1 in Turkey, but in Spain, 1,0. In a frequently cut recitative, Donna Elvira vows vengeance. Le avventure di Zorro . Zorro il personaggio nato garzie al romanzo La maledizione di Capistrano (The Curse of Capistrano. Don Giovanni (Il dissoluto punito) Dramma giocoso in due atti, K 527 Musica: Wolfgang Amadeus Mozart Libretto: Lorenzo da Ponte Personaggi: Don Giovanni: nobile cavaliere molto licenzioso che passa la vita a sedurre le donne. Scene 3 . Don Giovanni and Leporello arrive soon after. Don Giovanni is immediately attracted to Zerlina, and he attempts to remove the jealous Masetto by offering to host a wedding celebration at his castle. On realizing that Don Giovanni means to remain behind with Zerlina, Masetto becomes angry (! Don Giovanni and Zerlina are soon alone and he immediately begins his seductive arts (Duet: . She leaves with Zerlina. Don Ottavio and Donna Anna enter, plotting vengeance on the still unknown murderer of Donna Anna's father. Donna Anna, unaware that she is speaking to her attacker, pleads for Don Giovanni's help. Don Giovanni, relieved that he is unrecognised, readily promises it, and asks who has disturbed her peace. Before she can answer, Donna Elvira returns and tells Donna Anna and Don Ottavio that Don Giovanni is a false- hearted seducer. Don Giovanni tries to convince Don Ottavio and Donna Anna that Donna Elvira is insane (Quartet: . As Don Giovanni leaves, Donna Anna suddenly recognizes him as her father's murderer and tells Don Ottavio the story of his intrusion, claiming that she was deceived at first because she was expecting a night visit from Don Ottavio himself, but managed to fight Don Giovanni off after discovering the imposture, leading to the events we have already witnessed (long recitative exchange between Donna Anna and Don Ottavio, leading to Donna Anna's aria: . Don Ottavio, not yet convinced (Donna Anna having only recognised Don Giovanni's voice, not seen his face), resolves to keep an eye on his friend (. However, Don Giovanni remains cheerful and tells Leporello to organize a party and invite every girl he can find. They hasten to his palace. Scene 4 . Masetto hides, resolving to see for himself what Zerlina will do when Don Giovanni arrives. Zerlina tries to hide from Don Giovanni, but he finds her and attempts to continue the seduction, until he stumbles upon Masetto's hiding place. Confused but quickly recovering, Don Giovanni reproaches Masetto for leaving Zerlina alone, and returns her temporarily to him. Don Giovanni then leads both offstage to his ballroom. From a balcony, Leporello invites them to his master's party. They accept the invitation and Leporello leaves the balcony. Alone, Don Ottavio and Donna Anna pray for protection, Donna Elvira for vengeance (Trio: . When Zerlina screams for help, Don Giovanni drags Leporello into the room, accuses Leporello of assaulting Zerlina himself, and threatens to kill him. The others are not fooled. Don Ottavio produces a pistol and points it at Don Giovanni, and the three guests unmask and declare that they know all. But despite being denounced and menaced from all sides, Don Giovanni keeps his cool and escapes . Wanting to seduce Donna Elvira's maid, and believing that she will trust him better if he appears in lower- class clothes, Don Giovanni orders Leporello to exchange cloak and hat with him. Donna Elvira comes to her window (Trio: . Seeing an opportunity for a game, Don Giovanni hides and sends Leporello out in the open wearing Don Giovanni's cloak and hat. From his hiding place Don Giovanni sings a promise of repentance, expressing a desire to return to her and threatening to kill himself if she does not take him back, while Leporello poses as Don Giovanni and tries to keep from laughing. Donna Elvira is convinced and descends to the street. Leporello, continuing to pose as Don Giovanni, leads her away to keep her occupied while Don Giovanni serenades her maid with his mandolin. Don Giovanni poses as Leporello (whose clothes he is still wearing) and joins the posse, pretending that he also hates Don Giovanni. After cunningly dispersing Masetto's friends (Don Giovanni aria: . Zerlina arrives and consoles the bruised and battered Masetto (. As he tries to escape, he bumps into Don Ottavio and Donna Anna. Zerlina and Masetto also enter the scene. Everyone mistakes Leporello for Don Giovanni, whose clothes he is still wearing. They surround Leporello and threaten to kill him. Donna Elvira tries to protect the man who she thinks is Don Giovanni, claiming that he is her husband and begging the others to spare him. Leporello takes off Don Giovanni's cloak and reveals his true identity. He begs for mercy and, seeing an opportunity, runs off (Leporello aria: . Don Ottavio is now convinced that Don Giovanni is the one who murdered Donna Anna's father (the deceased Commendatore). He swears vengeance (. Threatening him with a razor, she ties him to a stool. He attempts to sweet- talk her out of hurting him. Zerlina goes to find Masetto and the others; Leporello escapes again before she returns. This scene, marked by low comedy, is rarely performed today. Donna Elvira is still furious at Don Giovanni for betraying her, but she also feels sorry for him. Leporello happens along and the two are reunited. Leporello tells Don Giovanni of his brush with danger, and Don Giovanni laughingly taunts him, saying that he took advantage of his disguise as Leporello by trying to seduce one of Leporello's girlfriends. The voice of the statue interrupts and warns Don Giovanni that his laughter will not last beyond sunrise. At the command of his master, Leporello reads the inscription upon the statue's base: . The servant trembles, but Don Giovanni scornfully orders him to invite the statue to dinner, and threatens to kill him if he does not. Leporello makes several attempts to invite the statue to dinner but is too frightened to complete the invitation (Duet: . Don Giovanni invites the statue to dinner himself. Much to his surprise, the statue nods its head and responds affirmatively. Scene 4 . He accuses her of being cruel, and she assures him that she loves him, and is faithful (. Leporello complains that he is sick and tired of hearing Mozart's aria everywhere all the time. Donna Elvira enters, saying that she no longer feels resentment against Don Giovanni, only pity for him. Don Giovanni, surprised, asks what she wants, and she begs him to change his life. Don Giovanni taunts her and then turns away, praising wine and women as the . Hurt and angry, Donna Elvira gives up and leaves. Offstage, she screams in sudden terror. Don Giovanni orders Leporello to see what has upset her; when he does, he also cries out, and runs back into the room, stammering that the statue has appeared as promised.
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